Sunday, April 20, 2025
It’s “the party to end all parties” and everyone’s on the guest list.
You’re invited to travel back to the decadent world of 1920s Prohibition-era Manhattan when the roaring musical production of Andrew Lippa’s “The Wild Party” arrives on the Molloy University campus shortly, March 7-9.
Audiences can expect a lively show filled with vibrant jazz and eclectic guests — also some uninvited “surprises” — that’s sure to keep the joint buzzing.
Observing the talented young performers involved with Molloy’s renowned CAP21 Musical Theatre Conservatory, guided by Director-Choreographer Billy Bustamante, you’ll surelly be thinking: ‘Let’s raise the roof, let’s make a scene!’
Set in the Roaring Twenties, it tells the tale of two vaudevillians, Queenie and Burrs, as they throw the party to end all parties. Jealousy and decadence abound in this spicy concoction whose tasty musical stew of jazz, blues, gospel, and Tin Pan Alley sounds remarkably contemporary.
Vaudeville dancer Queenie, (played by senior Jessica Olexy) and her intense partner Burrs (senior Cade Eller) host an evening of delight only to see it spiral into chaos with every twist and turn.
“At this party, everyone has a secret and something to hide. This show explores what happens when those secrets and the masks — that we all wear — get ripped off,” Bustamante says.
Based on Joseph Moncure March’s 1928 poem of the same name, the award-winning off-Broadway musical wowed audiences with its look into love in a messy and exciting fashion when it debuted 25 years ago.
While the narrative poem is almost a century old, Lippa’s adaptation brings a modern take to the story, blending the captivating allure of the 1920s with a modern feel.
“The music is a lot more contemporary and eclectic, all while being rooted in jazz. There are some really exciting pop, Latin and contemporary musical theater elements in the score,” Bustamante says. “The nature of the music allows audiences today to engage with the story and see themselves in the characters’ experiences in a really impactful way.”
From larger-than-life dancing sequences such as “Juggernaut,” to soulful reflections as in “What Is It About Her?,” the production traverses the range of human emotions and complicated identities those vaudeville entertainers of that era.
“All these people at the party are people who don’t belong in other places. The nature of what it meant to be a vaudevillian performer was you were uplifted and applauded at one moment and then not allowed certain restaurants or rooms at the next,” Bustamante explains.
“At its core, it’s something really beautiful. But on the other hand, these are all damaged people because of the lives that they’ve had to leave, and that sets the stage for an evening where a lot can really go down.”
This isn’t the first time that Bustamante has helmed the story. In fact, he was involved with a different musical adaptation of the famous poem, created by Michael John LaChiusa.
His resume includes acting in productions such as Broadway Theatre’s “Miss Saigon” in addition to his directorial turns in “Here Lies Love” (assistant director) and Stephen Sondheim’s “Here We Are” (choreographer). Now, Molloy’s theater students benefit from his talents.
“I have history with this story,” Bustamente says. “I directed an off-Broadway production of the other version back in 2016, so this feels like a full circle moment, getting to explore this story again through different writers.”
There’s even a ‘show within a show’ musical number, “ A Wild, Wild Party,” a favorite of senior Angelo Domingo, who appears as a party guest, the rambunctious boxer Eddie.
“It was the number that introduced me to the show, and it has just a very fun, infectious vibe,” Domingo says.
For the cast of 25, this production is an opportunity to hone their performing skills before going forward professionally.
“The [CAP21] program teaches you a lot about how to be an individual in theater. Because we’re in New York, you get the experience of [being with] working professionals who are working on Broadway, Off Broadway and developing musicals,” Domingo continues.
“I’ve grown in more ways than I thought I ever would. And when it comes to my training, I achieved things that I thought would take way longer to achieve already.”
So get ready to head to the theater — it’s time to join the party.
“I hope that our audience can leave “The Wild Party” feeling entertained, but at the same time a little educated and with a deeper understanding of themselves,” Bustamante says.
“And our version of the show can really help ask the question of our audience: ‘What masks serve you, and what masks might you be ready to let go.’
The Wild Party contains mature themes.
