Monday, January 20, 2025
‘Tis the season when Sugar Plum Fairies and various figments of a young girl’s imagination come alive. The beloved holiday confection is forever in style.
New York Dance Theatre’s ‘The Nutcracker’
New York Dance Theatre offers its 42nd season of the holiday classic, presented in the style of the legendary George Balanchine, returning to the John Cranford Adams Playhouse stage at Hofstra University. This production wraps up the company’s celebration of its 50th anniversary on Long Island.
NYDT closely follows the George Balanchine tradition — from storyline through choreography, sets and costumes. It’s the largest production on Long Island, according to Artistic Director and NYDT alumna Nicole Loizides Albruzzese. Her version keeps to the tone set by the company’s founder Frank Ohman, which remains true to the spirit of New York City Ballet’s Lincoln Center production. As a former student and New York City Ballet soloist under George Balanchine, Ohman was one of a select few authorized to use his mentor’s original pas de deux choreography, which continues to distinguish this production, along with costumes and props gifted by Balanchine.
Through the years Ohman supplemented Balanchine’s iconic vision with original dances and scenes. Loizides Albruzzese — who was a student at Ohman School of Ballet (a division of NYDT) under Ohman and performed most of the children’s roles in “The Nutcracker” during her time there (returning as a professional dancer in the role of the Sugar Plum Fairy before her international dance career) — faithfully follows in her mentor’s footsteps in keeping to the Balanchine standard.
“This year has been about celebrating our roots and expanding the reach of the company and the Ohman School of Ballet, also marking a milestone at 45 years,” Loizides Albruzzese says.
She returns to the NYDT stage as Frau Silberhaus in the opening Party Scene, alongside Glen Cove’s North Shore Village Theatre Founder-Artistic Director Christopher Moll as Herr Silberhaus.
New York City Ballet soloist Erica Pereira and principal dancer Daniel Ulbricht return as the Sugar Plum Fairy and her Cavalier. Joseph J. Simeone, whose credits include City Center’s “A Chorus Line” and Susan Stroman’s Degas-inspired “Little Dancer” at the Kennedy Center, joins NYDT this year as the mysterious Herr Drosselmeier.
In all, a cast of 80 children, pre-professional and professional dancers bring this classic story ballet to life. The kids’ roles are performed by Frank Ohman School of Ballet and the School of American Ballet (the home school of New York City Ballet) students.
As an added treat, audiences can enter into the 1820s German family’s household where “The Nutcracker” unfolds during the semi-immersive pre-show experience. Everyone is invited into the Silberhaus home before the curtain rises, with the sights, smells and sounds of the Christmas Eve party that is the setting for Clara’s dream.
Eglevsky Ballet’s reimagined ‘The Nutcracker’
Long Island’s professional dance company, the Eglevsky Ballet, welcomes all to its inventive staging of Clara’s delightful journey, at the Tilles Center. Boston Ballet principals Ji Young Chae and Jeffrey Cirio Miller reprise their roles as the Sugar Plum Fairy and her Cavalier, Also of note, star of ballet, Broadway and screen Georgina Pazcoguin appears as the Dew Drop Fairy.
The beloved story — featuring additional choreography by Executive Artistic Director Maurice Brandon Curry — is danced with inventive staging enhanced by Tchaikovsky’s magnificent score, stunning costumes and a cast of over 60 students and professional dancers. The longest, continuously running ‘Nutcracker’ on Long Island, Eglevsky Ballet has presented it as a holiday gift to audiences since 1961. This exciting production, accompanied by Park Avenue Chamber Symphony, is a vibrant representation of the trajectory in which Curry is leading the organization.
Among his innovations, Curry has reinterpreted the central first act pas de deux in the prelude to “Waltz of the Snowflakes,” which is usually danced by the Snow Queen and Snow King. Instead Curry has the music (his personal favorite in the ballet) performed by Clara, danced by Eglevesky Ballet’s Ayne Kim and Enzo Castillo as The Nutcracker Prince.
“Having this pas de deux danced by these two intensifies the connection between the two characters,” Curry says. “We see the arc of their relationship and gives the opportunity for Clara’s dream to have a more poignant and personal effect on our audiences.”
