Wednesday, December 11, 2024
A tradition since 2010, the popular Long Island Biennial at Heckscher Museum returns with “The Body Politic,”
shining the spotlight on our diverse artistic talent throughout Nassau and Suffolk counties.
The latest edition of the juried exhibition — now on view through mid-January — offers an exciting look at what is happening artistically here in our area.
Out of 313 submissions, 79 were accepted from 60 artists, resulting in a vivid assortment of mediums, styles and focuses on exhibit. Curated by Meredith A. Brown, the museum’s consulting curator of Contemporary Art, each piece was reviewed by an expert jury team. The panel included Ian Alteveer, department chair of contemporary art at the Museum of Fine Arts; Patricia Cronin, artistic director of the LGBTQ+ VR Museum, art professor and sculptor; Grace Hong, assistant director of Galerie Lelong & Co.
The exhibit takes on a theme for the first time — examining contemporary social, cultural and political issues. It’s a snapshot of some of the major national, local and even international matters that compel artists in this important election year.
“Sixty countries — taken together, representing half the world’s population, including the United States — will have held major elections by the end of this year,” Brown says.
“It’s a crucial year. And we thought it would be interesting to see how the people, the artists in our communities, are thinking about these political, social, cultural issues — and representing them through art.”
The exhibit represents a remarkable variety of media, with styles spanning abstraction to hyperrealism, including sculpture, painting, photography, and collage. One pieceis even composed with cut plastic straws and lighters found on a beach.
“I’m always interested in the way artists can combine things that I wouldn’t have thought of, sometimes materials that are ‘non-art’ materials,” Brown adds.
East Meadow’s Karen Kirshner is among the artists featured. Her abstract acrylic painting “The Mission, 2022” employs a “direct painting” technique that enables her to use her emotions to paint onto the canvas.
“I never know what I’m going to paint. I paint in the moment, moment to moment, and then review and evaluate and adapt and improve,” Kirshner explains.
She was influenced by the war in Ukraine, with so many trying to flee. Her movement of lines, shapes and vibrancy of colors expresses the Ukrainians’ frantic energy.
“I felt in my soul,” Kirshner says. “The mission is to get people out.”
Maria Spector, of Babylon, is represented with two paintings: “Candy Girls and Boys Under the Jellybean Tree, 2022 ” and “Candy Girls Under the Sugar-Plum Tree with Boy and the Artists that Painted Women 2020-22.”
In “Candy Girls and Boys Under the Jellybean Tree“ contemporary figures of children are mixed with images from art history, fine art and popular culture — all under a tree ‘ripe’ with various candies.
“By incorporating pop culture, I explore issues of femininity and masculinity through both history and today. The work is meant to challenge our own biases and beliefs,” Spector says.
Another standout, Lynbrook’s Susan Kozodoy Silkowitz captures her vision through photography. “Pink Shoes, 2022” is a testament to freedom of expression without discrimination. The male in pink platform shoes was snapped outside of Fashion Institute of Technology.
“I’ve been photographing people for 50 years. It took me many years to be able to do what I do, which is approach and photograph people on the street,” Kozodoy Silkowitz says. “I think it’s a wonderful thing to see people who are unafraid to express who they are, although some people may disapprove.”
Visitors can contribute their own voice to what’s on view and how they relate to community and identity through a collage of messages on the response wall.
It’s all part of the museum’s effort to encourage artistic reflection through times of great change, inspiring us to engage with narratives in a new light.
As Brown puts it: “It helps the artists and it helps those of us who are not artists to think about the diversity of artists and viewpoints and opinions in these communities in which we live, and in that way, hopefully it can broaden people’s views of their communities, of where we are.”
As always, the exhibit experience is enhanced by related programming. The participating artists will be in the galleries on select Sundays throughout the exhibition period to engage with visitors, as well as taking part in upcoming museum and community events.
